- Prof. J.S.K.Jayasekara
On September 21, 2024, the vibrant city of Paris played host to the 17th World Scientific Congress, uniting esteemed representatives from 32 countries in a remarkable convergence of groundbreaking ideas and international collaboration in scientific research. This congress serves as a significant platform for scholars, researchers, and professionals to discuss advancements across various disciplines, contributing to the collective goal of enhancing global scientific understanding.
A notable highlight of this prestigious event was the launch of the book Tradition and Modernity in Indian Cinema, authored by Professor Santhi Jayasekera, a prominent figure in academia and the President of the Inter-University Higher Academic Council. Beyond his academic pursuits, Professor Jayasekera is also a distinguished film director, contributing significantly to the film industry and enriching the cultural landscape of India. His dual expertise in cinema and academia uniquely positions him to explore the intricate relationship between traditional narratives and modern cinematic techniques.
The launch of Tradition and Modernity in Indian Cinema marks a crucial moment in the discourse surrounding Indian cinema, an industry that has undergone profound transformations over the years. The book offers a comprehensive exploration of the evolution of Indian cinema from the late 20th century to the present day, providing readers with a nuanced understanding of how Indian filmmakers have successfully blended cultural heritage with contemporary storytelling techniques. Through meticulous research and insightful analysis, Professor Jayasekera sheds light on the artistic, social, and political dimensions of Indian cinema, making this book an invaluable resource for scholars, students, and cinema enthusiasts alike.
The Essence of Indian Cinema
Indian cinema, one of the largest film industries globally, is renowned for its vibrant storytelling, colorful visuals, and captivating musical sequences. However, its roots are deeply intertwined with the rich tapestry of Indian culture, characterized by diverse traditions, languages, and artistic expressions. The film industry has evolved significantly since its inception, reflecting not only changes in societal values but also the influences of globalization and technological advancements.
In Tradition and Modernity in Indian Cinema, Professor Jayasekera meticulously examines how Indian cinema has managed to preserve its traditional elements while simultaneously embracing modern themes and techniques. He delves into the historical context of Indian cinema, exploring key movements and milestones that have shaped its trajectory. The book highlights critical historical periods, such as the influence of mythological themes, the rise of “parallel cinema” focusing on social realism, and the growing dominance of spectacle-driven films that cater to mass audiences.
One of the primary themes of the book is the philosophical and aesthetic foundations of Indian cinema. Professor Jayasekera emphasizes the significance of mythological narratives, which have played a crucial role in shaping cinematic storytelling. Indian mythology, rooted in ancient texts such as the Rigveda, Mahabharata, and Ramayana, provides a framework for understanding complex moral dilemmas, the nature of good and evil, and the cosmic order that governs human existence. These narratives resonate deeply with audiences, allowing filmmakers to create compelling stories that reflect both personal and societal struggles.
The Interplay of Tradition and Modernity
The book explores how Indian filmmakers have successfully blended traditional narratives with modern storytelling techniques. This interplay between tradition and modernity is not merely an aesthetic choice; it reflects the broader socio-cultural shifts within Indian society. As India has undergone rapid changes due to globalization and urbanization, filmmakers have found ways to address contemporary issues while remaining grounded in their cultural heritage.
Professor Jayasekera discusses the emergence of various cinematic movements in response to changing social dynamics. For instance, the rise of “parallel cinema” in the 1970s and 1980s sought to address pressing social issues such as poverty, gender inequality, and caste discrimination. Films from this movement, such as Pather Panchali and Awaara, explored the complexities of human relationships and the struggles faced by ordinary people. These films often eschewed commercial formulas in favor of realistic portrayals, challenging viewers to confront uncomfortable truths about their society.
Conversely, the resurgence of mainstream cinema in recent years has led to the rise of larger-than-life narratives, characterized by extravagant production values and star-studded casts. While these films often emphasize entertainment and escapism, they also reflect a changing audience demographic that seeks relatable stories within a contemporary context. Professor Jayasekera critically analyzes how filmmakers navigate these two worlds, blending traditional motifs with modern sensibilities to create films that resonate with a global audience.
Cultural Significance of Indian Cinema
The cultural significance of Indian cinema extends beyond mere entertainment; it serves as a powerful medium for social commentary and cultural reflection. Professor Jayasekera’s book emphasizes the role of cinema in shaping national identity and cultural discourse. Films encapsulate the zeitgeist of an era, reflecting the aspirations, struggles, and values of a society.
One essential discussion in Tradition and Modernity in Indian Cinema revolves around the impact of cinema on societal perceptions and attitudes. The author highlights how films serve as mirrors to society, addressing critical issues and sparking conversations about morality, justice, and identity. For instance, films like Sholay and Lagaan have become cultural touchstones, reflecting struggles against oppression and injustice while inspiring audiences to engage with these themes on a deeper level.
Furthermore, Indian cinema has played a pivotal role in the globalization of culture. As Bollywood and regional cinema gain international recognition, they influence and shape global perceptions of Indian culture. Professor Jayasekera discusses how the international success of Indian films has led to a greater understanding and appreciation of Indian traditions and values in various cultural contexts.
Notable Films Explored in the Book
In Tradition and Modernity in Indian Cinema, Professor Jayasekera provides insightful analyses of several classic and contemporary Indian films, showcasing their narrative complexities and cultural significance. Each film serves as a case study for exploring the interplay between tradition and modernity:
- Sholay (1975): Often referred to as a classic in Indian cinema, Sholay blends genres, combining action, drama, and romance. The film’s characters and plot dynamics exemplify the struggle between good and evil, with Thakur’s quest for revenge against Gabbar Singh symbolizing the fight for justice. Professor Jayasekera emphasizes how this film resonates with audiences due to its multilayered characters and moral dilemmas, reflecting the complexities of human nature.
- Lagaan (2001): This epic sports drama, set during British colonial rule, tells the story of villagers who challenge their oppressors to a cricket match. The film explores themes of unity, resistance, and social justice, showcasing how traditional values can inspire collective action against injustice. Professor Jayasekera discusses how Lagaan successfully combines traditional Indian storytelling with modern cinematic techniques, making it a global phenomenon.
- Dilwale Dulhania Le Jayenge (1995): This iconic romantic drama highlights the tension between traditional values and modern aspirations. The film’s protagonist, Raj, embodies the youthful spirit of modern India while navigating familial expectations. Professor Jayasekera examines how the film captures the essence of love and duty, making it a cultural landmark in Indian cinema.
- Masaan (2015): A contemporary film that delves into themes of caste, love, and loss, Masaan presents a poignant portrayal of the struggles faced by individuals in a changing society. The film’s narrative intertwines traditional values with modern sensibilities, reflecting ongoing conflicts within Indian society. Professor Jayasekera praises the film for its sensitive portrayal of complex social issues and its artistic merit.
The Author: Professor Santhi Jayasekera
Professor Santhi Jayasekera’s extensive background in film and academia uniquely positions him as an authority on Indian cinema. With a career spanning several decades, he has made significant contributions to both fields. As a film director, he has crafted compelling narratives that explore societal issues and cultural themes, earning acclaim for his artistic vision and storytelling prowess.
In addition to his work in cinema, Professor Jayasekera has dedicated himself to academia, serving as the President of the Inter-University Higher Academic Council. His leadership has fostered collaborations among universities, promoting research and academic exchange across various fields. He has been instrumental in shaping curricula that incorporate film studies, encouraging students to critically engage with cinema as a medium of artistic expression and social commentary.
Professor Jayasekera’s commitment to exploring the intersections of tradition and modernity in Indian cinema is evident in his writing. His ability to weave together historical context, cultural analysis, and personal reflections enriches Tradition and Modernity in Indian Cinema, making it a profound contribution to the field.
A Milestone in Cinema Scholarship
The launch of Tradition and Modernity in Indian Cinema at the 17th World Scientific Congress is not merely a celebration of a book; it is a recognition of the evolving landscape of Indian cinema and its cultural significance. Professor Santhi Jayasekera’s insights offer a profound understanding of how tradition and modernity coalesce in cinematic narratives, reflecting the complexities of human experience.
As Indian cinema continues to evolve, the themes explored in this book resonate more than ever, inviting audiences to reflect on their cultural heritage while embracing modernity. Professor Jayasekera’s dedication to advancing the discourse surrounding Indian cinema is commendable, and Tradition and Modernity in Indian Cinema stands as a testament to his contributions as both a filmmaker and an academic.
The 17th World Scientific Congress serves as a fitting backdrop for this momentous occasion, bringing together scholars and practitioners from diverse fields to engage in meaningful dialogue about the intersections of science, culture, and art. As the global landscape continues to shift, the insights gleaned from Tradition and Modernity in Indian Cinema will undoubtedly inspire future generations of filmmakers, scholars, and audiences to explore the rich tapestry of narratives that shape our understanding of culture and identity.
